170 CDs - DVD - CD-Rom: for completeness, pure musical enjoyment, scholarly research, attractive, space-saving design and price, you cannot afford to be without Brilliant Classics' improved Complete Mozart Edition! Now New & Improved! The Brilliant Classics Complete Mozart Edition, released in 2006, was an international hit, winning rave reviews from critics and customers alike for the quality of the music making and representing great value for money, and has become a standard in itself! Recent research to collect the most scholarly correct performances, numerous new and superior performance replacing previous versions. The interpretation of Mozart's music continues to evolve and, four years after the original release, Brilliant Classics' Complete Mozart Edition has evolved with it. The new recordings by prominent Mozart performers such as Guiliano Carmignola (violin concertos) and Oficina Musicum (La Betulia Liberata) are included. The Packaging: new, completely redesigned packaging means CDs in slipcases and the complete set neatly displayable in a single, attractive space-saving box.. The Enhanced Contents - Brilliant Classics' Complete Mozart Edition contains: 170 CDs representing the entirety of Wolfgang Amadeus Mozart's oeuvre in historically informed Performances; 1 Interactive DVD: The most comprehensive survey of Mozart's life and music, a step-by-step celebration in sound and vision of the creations of a genius.; 1 CD-ROM containing liner notes and performers' biographies in English, librettos and sung texts, complete 2010 Brilliant Classics catalogue; Mozart Interactive - An Interactive DVD by Titus Leber.
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Leonard Bernstein's Young People's Concerts with the New York Philharmonic stand among his greatest achievements. These televised programs introduced an entire generation to the joys of classical music. Bernstein conducted his first Young People's Concert on January 18, 1958, just two weeks after becoming Music Director of the New York Philharmonic. Such programs were already a Philharmonic tradition when Bernstein arrived, but he made them a centerpiece of his work, part of what he described as his "educational mission." Looking back on the concerts years later, he referred to them as being "among my favorite, most highly prized activities of my life." When he took a sabbatical season from the orchestra in 1964-65, he still came back to lead the Young People's Concerts. He continued to lead these programs until 1972, even though he had stepped down as director of the Philharmonic in 1969. Bernstein led a total of fifty-three Young People's Concerts during those fourteen years, and covered a broad range of subjects. The works of the great composers were explored, including tributes to modern masters such as Dmitri Shostakovich, Paul Hindemith, Gustav Holst, Aaron Copland and Charles Ives. Bernstein discussed "Jazz in the Concert Hall," "Folk Music in the Concert Hall," and "The Latin-American Spirit." He explained the intricacies of Music Theory in programs such as "Musical Atoms: A Study of Intervals" and "What is a Mode?" He broached complex aesthetic issues such as "What Does Music Mean?" (his first program) with clarity and without condescension. Bernstein also used the Young People's Concerts to introduce young performers to the musical world. The sixteen year-old pianist André Watts made his debut in the concert of January 15, 1963. Originally broadcast on Saturday mornings, the programs were considered so important that for three glorious years CBS presented them at 7:30 p.m. (prime time for television viewing). Eventually the programs were moved to Sunday afternoons. The concerts were translated into other languages and syndicated to forty countries.
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